The Ghost Who Thaws The
Spring Snow
Maureen Alsop
The dull talk of the year: dust
blanches the winter sounds. Hyacinth
break the earth, and upward the assassin’s
violet lips press skyward, kissing
the last snow. The sun, far too near, flanks
the river-animal’s pelt. Soon snakes
glisten along the banks. Yes, far too near
and across the field I heard the archduke
crossing. His row of stallions clear
the hard light. Treason seems removed, but
at eleven o’clock in the morning, the Miljacka
fades. Still, cattle’s stench carries the sky and sediment
through the window. Night’s nausea
descends through glass. At eleven o’clock in the morning
my mind is steep and I circle reliques, the remaining
triumph. Notes in my daybook go lost to the same light under
the Latin Bridge. A Mercurius heat
empties the room, lies like an agent
tethered to pale consolations, but it is only
sunlight peeping the curtains. A hunted
measure, this light that tastes
the body. I remember the future died
in absent secular forms. I remember
the grand army. The men’s shadows laid
like wool across the road. The trees, horizontal barbs, sunk
beneath the sun. Autumn rain flickered as they ate
sandwiches and sang to shelter themselves
against commotion. The bullet slowly, a slow
bodily ration, made wound a last adventure. As if
circling a ring, the larks swoop and thicken
the wet hills. So then the birds, once
evil if not simply new to the landscape, held voice
to further dusk’s song. And we found places
of good within them, a movement we believed
as origin. Toward this hour death made descent.
I speak it aloud. It was a second birth
or the first? At this hour, the sky is a blue division,
so deep no one can climb back through it.
MAUREEN ALSOP is the author of seven poetry collections, including visual poetry and an experimental/hybrid novel, Today Yesterday After My Death. Her poems and short stories have appeared in numerous journals including AGNI, The Kenyon Review, South Dakota Review, The Lincoln Review, among others. She is the winner of several poetry prizes including those from Harpur Palate and Bitter Oleander and a recent Roderick Centre Fellowship. www.maureenalsop.com
The art that appears alongside this piece is by SELA RICKETTS.
